Novelist, poet and short story writer, Liz was born in Scotland to an Irish/Scottish family and has been living in Dublin since 1981. She is the Director of Turas Press, which she founded in March, 2017.
Her published work includes poetry, short stories and historical fiction. Liz has three poetry collections: a chapbook, In Flight, (Lapwing, 1996); Snow at the Opera House (2002, New Island): So Long, Calypso (2017, Turas Press). Her poetry has been published in many outlets, including the Irish Times, Poetry Ireland Review, The Irish Pages, Orbis, Stepaway, The Shop, The Stinging Fly and anthologised in The White Page/An Bhileog Bán (Ed. McBreen, Salmon, 1999) and Slow Time: 100 poems to take you there (Ed. McMonagle, Mercier Press, 2000 ). Some of her short stories have been published in: The Cork Literary Review, The Irish Pages, the Honest Ulsterman, Live Encounters.
To read her story “Underground,” visit The Honest Ulsterman here:https://humag.co/prose/underground
To read her story “Leopold’s Violin,” visit Live Enounters here:http://bit.ly/2ST1FKI
In 2016, Liz’s historical novel Canticle was one of twelve winners in the Irish Writers’ Centre Novel Fair Competition.
In 1999, she was the overall winner of the Sunday Tribune/Hennessy New Irish Writer of the Year Award for her poetry.
In 2014, Liz worked on a bi-lingual edition of Colombian and Irish poetry, Veinte Poemas/Twenty Poems with the poet Anamaría Crowe Serrano.
Liz has worked in education, broadcasting and freelance journalism. For many years has been an independent consultant in education, training and employment policy. She has a PhD in Education from the National University of Ireland, Maynooth.
Reviews of Liz’s work
Anthony Glavin, writing in The Independent, said this of Canticle:
“A formidable feat of imagination underpins this marvellous detective novel set in late 16th/early 17th century Spain…Canticle is a tale for our time, rife with insitutionalised power struggles, truth and misinformation, manipulated in the interests of the elite – same as it always was and is.”
Canticle was chosen as an Editor’s pick in the February 2019 issue of the Historical Novel Review, the quarterly publication of the Historical Novel Society. Reviewer Kristen McQuinn said of Canticle:
“The characters, every one of them, have depth and life… The central theme of what truth is, both in politics and within the Church, remains so relevant today that this is a difficult novel to put down… The complexity of the politics involved, the careful layering of the plot and the unfolding events, make this a novel that you will want to savor… Very highly recommended.”
You can read Kristen’s full review here https://historicalnovelsociety.org/reviews/canticle/
Mairéad Hearne of bookblog Swirl and Thread said of the main character in Canticle:
“Fray Martín de Sepúlveda is a wonderful character, reminding me of C.J. Sansom’s Matthew Shardlake. His determination to uncover the truth, his strong principles, his unshakable morals, his cynicism and his overall personality make him the perfect detective for the time… [Canticle] is an intelligent and engrossing read about a very fascinating period of history. Liz McSkeane has created a superb character in Fray Martín and I do hope that he continues his detective work in a future novel.”
You can read Mairéad’s review of Canticle on her Swirl and Thread blog here: http://www.swirlandthread.com/canticle-liz-mcskeane/
“So Long, Calypso”
In Poetry Ireland Review, Issue 127, Julie Morrissey wrote of Calypso
“Mortality, immortality, and ageing are conjured both in the title and the poems of So Long, Calypso. The collection moves between various cities and towns and is punctuated with a handful of poems about a friend struggling with old age. So Long, Calypso harbours a lasting charm…”
Poetry Ireland Review can be found here: https://www.poetryireland.ie/publications/poetry-ireland-review/back-issues/poetry-ireland-review-127:
Colin Dardis’ review of Calypso can be found in the Lagan Online issue of November, 2017.
So Long, Calypso is a moving collection, one whose characters and stories are easy to empathise with and relate to… it is the memory of the speakers’ various emotions, laid out and exposed, that will stay after reading.”
The full review is here: https://laganonline.co/review-liz-mcskeane-so-long-calypso/